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Executive Producers: King June & Tiona B.
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This is the second installment to the "Calianta" series. King June never misses with his infectious flow, clever word play and excellent beat selection. This EP pays homage to his second home "California". This is what you'd get when Atlanta and California is thrown into a "blender". Every song on this EP will not disappoint.
King June has risen. This Project displays the self proclaimed "New King Of The South" rapping capabilities over soulful beats. His creative punchlines and intricate flows will have all of you glued from start to finish. Every song tells a story. June, touches on topics, we all can relate to. "The Ben Hill Project" will go down as an instant classic and puts King June in the same conversation as the greats that came before him. The only difference is time and damage.
I Ain’t Trippin’ finds King June in full control of his voice, delivering a raw, street-level meditation on loyalty, survival, and self-discipline. The album moves like a late-night walk through the city—calm on the surface, heavy underneath—where every decision feels like it could tip the scales in either direction.
Across the project, June reflects on friend betrayal, broken trust, and the quiet realization that not everyone around you wants to see you win. Rather than dwelling in bitterness, he channels those moments into sharp observations and measured resolve. The title I Ain’t Trippin’ isn’t denial—it’s a mindset. A refusal to let emotion cloud judgment, even when the pressure is real.
Lyrically, the album balances positivity and temptation. June openly wrestles with thoughts of doing “whatever it takes” to get money, exposing the mental tug-of-war between patience and desperation, growth and survival. His delivery is controlled and reflective, making the darker thoughts feel honest rather than glorified. There’s an underlying tension throughout the record: ambition pushing forward while conscience keeps tapping the brakes.
Sonically, the project feels gritty and nocturnal—perfect for long drives, quiet moments, and introspection. The beats leave space for the words to breathe, allowing June’s perspective to stay front and center. Every track feels personal, like pages pulled straight from a journal rather than performances aimed at attention.
I Ain’t Trippin’ is an album about discipline over emotion, clarity over chaos, and staying grounded when the world gives you every reason not to. King June doesn’t claim to have all the answers—but he shows you exactly what it looks like to keep moving forward without losing yourself.
Songs 4 Her is King June at his most intimate and intentional—a late-night soundtrack designed for cruising top down, city lights blurring past, and conversations that only happen after midnight. This project lives in the space between confidence and vulnerability, where rap bravado meets R&B emotion without forcing either to compromise.
Blending smooth melodies with sharp, conversational bars, King June moves effortlessly between roles: the romantic, the realist, the provider, and the observer. Each track feels like a letter written to her—whether she’s a lover, a muse, or the one who got away. The production leans warm and atmospheric, favoring rich basslines, subtle guitar riffs, and slow-burn rhythms that ride just as smooth as the stories being told.
Rather than chasing radio moments, Songs 4 Her prioritizes mood and connection. It’s music for late drives, candlelit rooms, and unfiltered honesty. June’s delivery stays calm but commanding, letting emotion speak louder than volume, and proving that vulnerability can still carry power.
At its core, Songs 4 Her is a grown man’s album—romantic without being soft, confident without being cold. It’s not just something you listen to; it’s something you feel, making it the perfect companion for nights that don’t need explaining.
The Dolemite Special is King June at his most charismatic, stepping fully into his alter ego Dolemite—a slick-talking, sharp-minded hustler who turns street wisdom into high-class entertainment. Rooted in the soul of Atlanta’s Ben Hill neighborhood, the album blends gritty Southern realism with showman flair, creating a project that feels both timeless and unapologetically bold.
Built on rich, soulful samples and head-nodding production, King June delivers infectious flows and clever wordplay with effortless confidence. Each track feels like a performance—braggadocious without being hollow, witty without losing edge. Dolemite isn’t just a character; he’s a mindset, allowing June to exaggerate, narrate, and entertain while still grounding every bar in lived experience.
Lyrically, the album balances street tales, self-belief, and playful bravado, all wrapped in smooth cadences and quotable lines. There’s a cinematic quality to the music—songs feel like scenes, moments, and monologues from a larger story about ambition, survival, and style.
The Dolemite Special is more than a rap album—it’s a persona on wax. Confident, soulful, and slick, King June proves he can command attention not just as an artist, but as a full-fledged character, leaving listeners entertained, inspired, and ready for whatever Dolemite does next.
ATLien 4Eva: I Come In Peace is King June’s most introspective and experimental statement to date—a sonic transmission sent straight from the Southside of Atlanta, with Ben Hill as its launchpad. Blending abstract, left-field hip hop production with soulful, melodic hooks, the project positions King June as both observer and outsider: an ATLien navigating his city, his past, and his evolution with clear eyes and heavy thoughts.
The album moves like a late-night drive through Atlanta—familiar streets seen from a different dimension. Unorthodox flows bend and stretch over experimental beats, while introspective bars unpack survival, identity, pressure, and purpose. King June doesn’t chase trends here; he orbits them, using raw honesty and creative risk to carve out his own lane.
“I Come In Peace” isn’t a slogan—it’s a declaration. The project balances aggression with vulnerability, confidence with reflection. One moment King June is wrestling with internal conflict and personal growth, the next he’s offering soulful reassurance, grounding the abstract soundscape in emotion and lived experience.
ATLien 4Eva: I Come In Peace is not just an album—it’s a message. A reminder that even in chaos, evolution is possible. King June arrives as an alien to the industry norms, but rooted firmly in Atlanta soil, delivering a project that feels futuristic, personal, and timeless all at once.
